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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, a key member of the pioneering 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later founded the innovative techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, following a period of ill-health.

"I managed to damage myself significantly," he stated in 2023. "I broke spinal bones in my spine and cracked about five ribs and broke my arm."

After catching a lung infection and suffering from blood poisoning, he was put in an induced coma and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was focused and so happy with the latest project that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive year for him, and I find comfort from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the music you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is different from being in a group, the bond is incredibly close," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from Paul to his adopted name, together with his sibling Susan, who was also adopted.

He encountered Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on BBC program a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Tainted Love became the UK's second most popular single of the early 80s, selling millions of copies worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it helped paved the path for the electronic music style of the 1980s.

The track was also included on their first album, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to purchase my first home, having money and exploring, which might seem like a Miss World," Ball not long ago told with a music magazine.

But it also presented problems. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they managed to create a follow-up memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond went on to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on September 30, that year.

However, they remained together, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's upcoming release as a homage to the New York club scene they visited while making their first two albums.

He added that his time in medical care had influenced the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the noises in my mind from those days.
"In parallel, it's about the experiences we got up to in the 80s."

The final mixes were completed only days before Ball passed away. It is due for launch in the spring of 2026.

The writer

Karen Richardson

A tech enthusiast and digital strategist with over a decade of experience in software development and UX design.

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